The category “Ra Contact” has 7 subcategories.
103.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
104.0 Ra: I am Ra. We greet you in the love and in the light of the One Infinite Creator. We communicate now.
105.0 Ra: I am Ra. I greet you, my friends, in the love and in the light of the One Infinite Creator. We communicate now.
106.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
1.13 Questioner: Not completely.
Ra: I am Ra. We search your mind to find the vibration “Alrac.” It is this vibration from you which contains the largest amount of what you would call love. Others would call this entity “Carla.”
The charging of the water is done by those present placing their hands over the glass and visualising the power of love entering the water. This will charge that very effective medium with those vibrations.
This instrument is, at this time, quite fatigued. However, her heart is such that she continues to remain open to us and useful as a channel. This is why we have spent the time/space explaining how the distortions of what you may call fatigue may be ameliorated.
Under no circumstances should this instrument be touched until she has responded to her name. I do not wish to take this instrument beyond her capacity for physical energy. It grows low. Therefore, I must leave this instrument.
I leave you in the glory and peace of unity. Go forth in peace, rejoicing in the power of the One Creator. I am Ra.
2.6 Questioner: Consider them asked. I mean, I don’t have anything to go on. What is the proper use of this instrument? What should we do to maximise her ability to . . . comfort, rejuvenation, etc.?
Ra: I am Ra. We are pleased that you asked this question, for it is not our understanding that we have the right/duty to share our perceptions on any subject but philosophy without direct question. However, this mind/body/spirit [complex] is not being correctly used and therefore is experiencing unnecessary distortions of body in the area of fatigue.
The vibrations may well be purified by a simple turning to the Circle of One and the verbal vibration while doing so of the following dialogue:
Question: “What is the Law?”
Answer: “The Law is One.”
Question: “Why are we here?”
Answer: “We seek the Law of One.”
Question: “Why do we seek Ra?”
Answer: “Ra is an humble messenger of the Law of One.”
Both together: “Rejoice then, and purify this place in the Law of One. Let no thought-form enter the circle we have walked about this instrument, for the Law is One.”
The instrument at this time should be in trance. The proper alignment is the head pointed twenty degrees north-by-northeast. This is the direction from which the newer, or New Age, distortions of love/light, which are less distorted, are emanating from, and this instrument will find comfort therein. This is a sensitive instrument, by which we mean the distortions which enter her mind/body/spirit complex come from any of her senses. Thus, it is well to do the following:
Place at the entity’s head a virgin chalice of water.
To the centre, the book most closely aligned with the instrument’s mental distortions which are allied most closely with the Law of One, that being the Bible that she touches most frequently.
To the other side of the Bible, a small amount of cense, or incense, in a virgin censer.
To the rear of the book symbolising One, opened to the Gospel of John, Chapter One, a white candle.
The instrument would be strengthened by the wearing of a white robe. The instrument shall be covered and prone, the eyes covered.
We feel that, though this is a complex of activity/circumstance and may seem very distorted from a purposeful teach/learning experience, these elaborations on the technique of trance will ease the mind distortions of those about the instrument as they perceive improvement in the instrument’s distortions with regard to fatigue. We add only that if these teach/learning sessions are held during time/space during which your sun-body does not light your room that it is best to call the instrument before the lighting of the illuminatory mechanism.
I am Ra. I leave you in the glory and the peace of the One Creator. Rejoice in the love/light, and go forth in the power of the One Creator. In joy, we leave you. Adonai.
3.18 Questioner: Should we have her drink the water from the chalice behind her head after we charge it, or should we use a different glass of water?
Ra: That and only that chalice shall be the most beneficial as the virgin material living in the chalice accepts, retains, and responds to the love vibration activated by your beingness.
I am Ra. I will now leave this group rejoicing in the power and peace of the One Creator. Adonai.
4.23 Questioner: Thank you, Ra.
Ra: I am Ra. I leave you in the love and the light of the One Infinite Intelligence which is the Creator. Go forth rejoicing in the power and the peace of the One. Adonai.
5.3 Questioner: Is the instrument comfortable? Is there any other thing that would increase the instrument’s comfort? That’s all.
Ra: I am Ra. The candle could be rotated clockwise approximately 10° each session to improve the flow of spiralled energy through the being’s receiving mechanisms. This particular configuration is well otherwise. But we ask that the objects described and used be centred with geometric care and checked from time to time. Also that they not be exposed to that space/time in which work is not of importance.
I am Ra. I leave this instrument in the love and light of the One Infinite Creator. Go forth rejoicing in the power and the peace of the One Creator. Adonai.
6.29 Questioner: The only question I have is that I must assume since Leonard was here when you first made contact, it’d be as suitable for him to be here as Tom. Is this correct?
Ra: This is correct and completes the number of those at this time able to come who are suitable. Again, remember the instructions given for the preparation of the vibratory sound complex, Tom.
I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth rejoicing in the power and the peace of the One Creator. Adonai.
7.19 Questioner: We do not wish to overly tyre the instrument. Thank you very much. That was very helpful. We will continue in the next session taking up this point. I believe that I’m beginning to understand the progression. Thank you very much.
Ra: I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth then rejoicing in the power and the peace of the One Creator. Adonai.
8.34 Questioner: Is the censer off with respect to angle or with respect to lateral displacement?
Ra: There is an approximate three degree displacement from proper perpendicularity.
I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
9.23 Questioner: We plan to do a second session later today if the instrument is capable, and I’d like to ask if there is anything we can do to aid the instrument’s comfort.
Ra: I am Ra. This instrument will require some adjustment of the tender portions of her body complex. The distortions are due to the energy centre blockage you would call pineal.
I leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
10.19 Questioner: I was just trying to get to the definition you were using for galaxy. You mentioned them a couple of times and it seemed to me that [inaudible] what you call a galaxy we call a planetary system. Is there any way to make the instrument more comfortable?
Ra: I am Ra. This instrument could be made somewhat more comfortable if more support were given the body complex. Other than this, we can only repeat the request to carefully align the symbols used to facilitate this instrument’s balance. Our contact is narrow-banded and thus the influx brought in with us must be precise.
I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
Ra: I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Creator. Adonai.
12.33 Questioner: Thank you. Is there anything that we can do to make the instrument more comfortable?
Ra: I am Ra. We ask you to realign the object upon which the symbols sit. It is not a significant distortion for one session only, but you will find upon measuring the entire assemblage that the resting place is one point four degrees [1.4°] from the correct alignment, the resting place an additional one-half degree [0.5°] away from proper orientation. Do not concern yourselves overly with this in the space/time nexus present, but do not allow these distortions to remain over a long period or the contact will be gradually impaired.
I am Ra. I leave you in the love and in the light of the One Infinite Creator. Go forth, rejoicing in the power and the peace of the One Creator. Adonai.
13.27 Questioner: Tom Flaherty will be here this evening and will be helping in the evening session. Is this all right?
Ra: I am Ra. This is correct.
I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
14.34 Questioner: Can you tell me if we are accomplishing our effort reasonably well?
Ra: I am Ra. The Law is One. There are no mistakes.
I am Ra. I leave this instrument in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
15.25 Questioner: Is it possible for you to tell us anything about what—since we are wanderers—anything about our previous density? Which density we came from?
Ra: I scan each and find it acceptable to share this information. The wanderers in this working are of two densities: one the density of five, that is, of light; one the density of love/light, or unity. To express the identity of which came from which density we observe to be an infringement upon the free will of each. Therefore, we state simply the two densities, both of which are harmoniously oriented towards work together.
I am Ra. I leave you in the love and the light of the Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
16.62 Questioner: Only just to know if the instrument can be any more comfortable?
Ra: I am Ra. This instrument is as comfortable as it is possible for you to make it given the weakness distortions of its body complex. You are conscientious.
I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Creator. Adonai.
17.45 Questioner: Just—we want to put heavier clothing on the feet. Is this correct?
Ra: I am Ra. This is correct.
I will leave this instrument now. I leave you in the love and the light of the One Infinite Creator. Adonai.
18.27 Questioner: Not completely. What specifically shall we do for physical balancing?
Ra: I am Ra. One: take care with the foodstuffs. Two: manipulate the physical complex to alleviate the distortion towards physical complex pain. Three: encourage a certain amount of what you would call your exercise. The final injunction: to take special care with the alignments this second session so that the entity may gain as much aid as possible from the various symbols. We suggest you check these symbols most carefully. This entity is slightly misplaced from the proper configuration. Not important at this time. More important when a second session is to be scheduled.
I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
19.23 Questioner: The only other question I have, is there anything that we can do to make the instrument more comfortable? And, is it . . . wanted to ask about another session, but I guess it’s too late today. I didn’t realise.
Ra: I am Ra. This instrument is well aligned. You are being very conscientious. We request you take more care in being assured that this instrument is wearing footwear of what you would call sound vibratory complex “shoes.”
I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
20.45 Questioner: I intend in the next session to focus on the development of the positively oriented entities in the first 25,000 years. I know that you can’t make suggestions. But this seems to me to be the— I hope that I am going in the right path in investigating the entire development and influences in the history of our third density. Can you give me any comment on this at all?
Ra: I am Ra. The choices are yours according to your discernment.
I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
21.29 Questioner: I just wanted to apologise for a bit of confusion on my part in carrying on to this second 25,000 years.
I would just like to ask if there is anything I could do to make the instrument more comfortable? We would hope to have a second session later today.
Ra: I am Ra. You may observe a slight misalignment between book, candle, and perpendicularity of censer. This is not significant, but as we have said, the cumulative effects upon this instrument are not well. You are conscientious. It is well to have a second session given the appropriate exercising and manipulation of this instrument’s physical complex.
I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
22.29 Questioner: Is there any way that we can make the instrument more comfortable or anything that we can do for her?
Ra: I am Ra. The instrument is well. It is somewhat less easy to maintain clear contact during a time when some or one of the entities in the circle of working is or are not fully conscious. We request that entities in the circle be aware that their energy is helpful for increasing the vitality of this contact. We thank you for being conscientious in the asking.*
I am Ra. It is a great joy to leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
23.19 Questioner: This is a dumb question, but there was a movie called Battle Beyond the Stars. I don’t know if you are familiar with it or not. I guess you are. It seemed to have what you’re telling us included in the script. Is this correct? Do you know anything about it?
Ra: I am Ra. This particular creation of your entities had some distortions of the Law of One and its scenario upon your physical plane. This is correct.
I am Ra. I leave this instrument now. I leave each of you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
24.23 Questioner: Oh, please, I’m almost ready. Is there anything that we can do to make the instrument more comfortable?
Ra: I am Ra. You are conscientious. Be careful only to adjust this instrument’s upper appendages if its upper body is elevated.
I am Ra. All is well. It is our joy to speak with you. We leave in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
25.12 Questioner: Thank you very much. We do not wish to deplete the instrument, so is there anything that we can do to make the instrument more comfortable?
Ra: I am Ra. You are very conscientious. As we requested previously, it would be well to observe the angles taken by the more upright posture of the entity. It is causing some nerve blockage in the portion of the body complex called the elbows.
I am Ra. I leave you in the love and in the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Creator. Adonai.
26.40 Questioner: The instrument asks, “How long do the debilitative effects that I am experiencing from the use of LSD last, and is there anything that we can do to make the instrument more comfortable?”
Ra: I am Ra. Firstly, the period of weakness of bodily complex is approximately three of your lunar cycles, the first ingestion causing approximately one of your lunar cycles; the second having a cumulative or doubling effect.
Secondly, this instrument is well. You are most conscientious.
I am Ra. I leave you, my friends, in the love and the light of the One Infinite Creator. Go forth, then, merry and glad and rejoicing in the power and the peace of the One Creator. Adonai.
27.18 Questioner: The only thing I need to know is, is there is anything we can do to make the instrument more comfortable or help her or the contact?
Ra: I am Ra. This instrument is slightly uncomfortable. Perhaps a simpler configuration of the body would be appropriate given the instrument’s improving physical complex condition.
I am Ra. You are conscientious in your endeavours. We shall be with you. We leave you now in the love and in the light of the One Infinite Creator. Rejoice, therefore, in the power and the peace of the One Infinite Creator. Adonai.
28.21 Questioner: Thank you. And since we are out of time I’ll just ask if there is anything that we can do to make the instrument more comfortable or help the contact?
Ra: I am Ra. This instrument is well adjusted. You are conscientious.
I am Ra. I leave you, my friends, in the love and the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Creator. Adonai.
29.34 Questioner: Is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. You are conscientious. The entity is well aligned.
I am Ra. I leave you now in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
30.18 Questioner: Thank you. Is there anything that we can do to make the instrument more comfortable or to improve the contact?
Ra: This instrument is well balanced, and the contact is as it should be. This instrument has certain difficulties of a distortion you would call the muscular spasm, thus making the motionless position uncomfortable. Thus we leave the instrument.
I am Ra. You are doing well, my friends. I leave you in the love and the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Creator. Adonai.
31.17 Questioner: That was precisely the point which I was trying to make. Thank you very much. Not to tyre the instrument, I will just ask, then, if there is anything we can do to make the instrument more comfortable or to improve the contact?
Ra: I am Ra. Please be aware that this instrument is somewhat fatigued. The channel is very clear. However, we find the vital energy low. We do not wish to deplete the instrument. However, there is a, shall we say, energy exchange which we feel an honour/duty to offer when this instrument opens itself. Therefore, counsel we this instrument to attempt to assess the vital energies carefully before offering itself as open channel.
All is well. You are conscientious.
I am Ra. I leave this instrument, and you, in the love and in the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Creator. Adonai.
32.16 Questioner: I think anything would be too long. I’ll just ask if there’s anything we can do to make the instrument more comfortable or make the contact better?
Ra: I am Ra. All is well. We caution not only this instrument but each to look well to the vital energies necessary for non-depletion of the instrument and the contact level. You are most conscientious, my friends. We shall be with you.
I leave you now in the love and in the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
33.21 Questioner: Then I will ask if there is anything we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. This working is well. You are attempting to be conscientious. We thank you. May we say we enjoyed your vision of our social memory complex drinking one of your liquids while speaking through this instrument.
I am Ra. I leave you in the love and in the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
34.19 Questioner: Thank you. Then I will just ask if there is anything we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. All is well. We leave you, my friends, in the love and the light of the One which is All in All. I leave you in an ever-lasting peace. Go forth, therefore, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
35.9 Questioner: If there are any further questions I will ask them in the next period which should occur in about four days. I do not want to overtire the instrument. I will only ask if there is anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. All is well. I leave you, my friends, in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
36.24 Questioner: I’ll just ask one little short one that you may not be able to answer before the final . . .
The short one is: Can you tell me what percentage of the wanderers on Earth today have been successful in penetrating the memory block and becoming aware who they are, and then finally, is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. We can approximate the percentage of those penetrating intelligently their status. This is between eight and one-half and nine and three-quarters percent. There is a larger percentile group of those who have a fairly well defined, shall we say, symptomology indicating to them that they are not of this, shall we say, insanity. This amounts to a bit over fifty percent of the remainder. Nearly one-third of the remainder are aware that something about them is different.
So you see there are many gradations of awakening to the knowledge of being a wanderer. We may add that it is to the middle and first of these groups that this information will, shall we say, make sense.
This instrument is well. The resting place is somewhat deleterious in its effect upon the comfort of the dorsal side of this instrument’s physical vehicle. We have mentioned this before.
You are conscientious. We leave you now, my friends.
I am Ra. I leave you in the love and in the light of the Infinite Creator. Go forth, then, rejoicing merrily in the power and the peace of the One Creator. Adonai.
37.9 Questioner: Since we don’t want to tyre the instrument I will just ask if there is anything we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. All is well. We leave you now in the love and the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
38.15 Questioner: I would just like to know if there is anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. All is well. We leave you in the love and light of the One Infinite Creator. Go forth rejoicing in the power and in the peace of the One Creator. Adonai.
39.13 Questioner: I only need to know if there is anything that we can do to make the instrument more comfortable or help the contact?
Ra: I am Ra. You are most conscientious. All is well. I leave you, my friends, in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and in the peace of the One Creator. Adonai.
40.17 Questioner: Thank you. I’ll just ask if there’s anything that we can do to make the instrument more comfortable or improve the contact?
Ra: This instrument is well. You are conscientious. The appurtenances cause this instrument greater comfort in the distortion of the warmth of the body complex.
I am Ra. I leave you, my friends, in the love and in the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
41.27 Questioner: I’ll only ask if there’s anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. All is well. I leave you, my friends, in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
42.21 Questioner: If this is not brief enough, don’t bother to answer it. But first, I just wondered if certain parts are always removed—the same parts removed—in cattle mutilations, and is that related to the energy centres, and why these parts, these particular parts, were removed. But if that is too long of an answer, I’ll just ask if there’s anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. It would be well to respond to the query at another working. The instrument is well.
I am Ra. I leave you, my friends, in the love and the light of the Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
43.32 Questioner: I’d only ask if there is anything we can do to make the instrument more comfortable or to improve the contact?
Ra: I am Ra. All is well. I leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
44.17 Questioner: I am sorry that we got a little off the track today. I think the most important thing we accomplished is knowing how to better regulate the instrument’s sessions, and I would hope that you would bear with me for my inability to select questions properly at times, since I just happen, sometimes, to probe into areas to see if there is a possible direction we may go, and once entering, I . . .
Other than that, I would just like to know if there is anything this session that we could do to make the instrument more comfortable or to improve the contact?
Ra: I am Ra. There are no mistakes. Be at rest, my friend. Each of you is most conscientious. All is well.
I leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. I am Ra. Adonai.
45.13 Questioner: What did you say? I couldn’t hear you.*
Ra: I am Ra. All is well, my brothers. I leave you now in the love and in the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
46.18 Questioner: Only if there is anything we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. Each is supporting the instrument well, and the instrument remains steady in its purpose. You are conscientious. All is well. We ward you ware of any laxity regarding the arrangement and orientation of appurtenances.
I am Ra. I leave you, my friends, in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
47.16 Questioner: I will only ask if there is anything we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. The appurtenances are conscientiously measured by eye and spirit. You are conscientious. All is well. Observe this instrument to ensure continued building of the vital energies. It will have to work upon its own physical energies, for this weakness was brought about by free will of the self.
I am Ra. We leave you now in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
48.11 Questioner: Just if there is anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. All is well. As we have said, this instrument is weak physically, and continued work times will lengthen this weakness. The continued contact also aids in the continued climb in vital energy of the instrument, as well as the integration and vital energy of the group as an unit. The choice is yours. We are pleased. All is well. You are conscientious. Continue so.
I am Ra. I leave you in the love and in the light of the One Infinite Creator. Go forth, then, my friends, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
49.9 Questioner: I will just ask if there is anything we may do to make the instrument more comfortable or to improve the contact and if the two sessions per week are still appropriate?
Ra: I am Ra. We request your care in the placement of the neck support for this entity as it is too often careless. You are conscientious, and your alignments are well. The timing, if we may use that expression, of the sessions is basically correct. However, you are to be commended for observing fatigue in the circle and refraining from a working until all were in love, harmony, and vital energy as one being. This is, and will continue to be, most helpful.
I am Ra. I leave you in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
50.14 Questioner: Is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. You are conscientious and your alignments are careful. It would be well to take care that this instrument’s neck is placed carefully upon its support.
I am Ra. I leave you, my friends, in the love and the light of the One Infinite Creator. Go forth, then, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
51.11 Questioner: Is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. All is well. You are conscientious. I leave you now, my brothers, in the love and in the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
52.13 Questioner: Only is there anything that we can do to make the instrument more comfortable or to improve the contact?
Ra: I am Ra. This instrument has some distortion in the area of the lungs which has been well compensated for by the position of the physical complex.
All is well.
We leave you, my friends, in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
53.24 Questioner: No. I apologise for asking many transient questions during this session. I hope that we did not cause any problem for you, especially with respect to loss of polarity and that one question, but I felt it necessary to include some of this material so that those wanderers and others reading the first book of The Law of One would not get the wrong impression with respect to their experiences in contacts. I am sorry for any problems that I might have caused.
I will just ask if there is anything that we can do to improve the contact or aid the instrument?
Ra: I am Ra. The instrument is well. Please guard your alignments carefully. We leave you now, my friends, in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the Infinite Creator. Adonai.
54.33 Questioner: I just would ask if there is anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. Please be aware of the need for the support of the instrument’s neck. All is well.
I leave you, my friends, in the love and in the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
55.18 Questioner: Only is there anything we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. All is well. You are conscientious. I now leave this working.
I am Ra. I leave you, my friends, in the love and in the light of the One Infinite Creator. Go forth, then, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
56.8 Questioner: I will just ask if there is anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. All is well, my friends. It is well, however, to be conscious of the limitations of this instrument. We feel the alignments are excellent at this time.
I am Ra. I leave you in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
57.34 Questioner: Is there anything we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. All is harmonious. We greet you all in joy. The adjustments are satisfactory.
I am Ra. I leave you in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
58.24 Questioner: Well, I did have a question on what you meant by the “third spiral.” And if that is too long I would just ask if there is anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. We may answer briefly. You may query in more detail if you deem it desirable at another session.
If you picture the candle flame, you may see the third spiral.
This instrument is well balanced. The accoutrements are aligned well. You are conscientious.
I am Ra. I leave you, my friends, in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
59.25 Questioner: Only if there is anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. All is well. We are aware that you experience difficulties at this time, but they are not due to your lack of conscientiousness or dedication.
I am Ra. I leave you in the love and in the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
60.32 Questioner: Only is there anything that we can do to make the instrument more comfortable or to improve the contact?
Ra: I am Ra. Be merry, my friends. All is well, and your conscientiousness is to be recommended.
We leave you in the love and the light of the One Infinite Creator. Rejoice, then, and go forth in the peace and in the glory of the One Infinite Creator. I am Ra. Adonai.
61.14 Questioner: Only is there anything we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. This instrument is somewhat distorted, but each is doing well. You are conscientious. We thank you for continuing to observe the alignments and request that, on each level, you continue to be this fastidious as this will maintain the contact.
I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth, my friends, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
62.30 Questioner: Is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: All is well. You have been most conscientious.
I am Ra. I leave you, my friends, in the glory of the love and the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
63.33 Questioner: Is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. You are conscientious. All is well.
We leave you now, my friends, in the glory of the love and the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the Infinite Creator. Adonai.
64.21 Questioner: Is there anything that we could do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. Continue to consider the alignments. You are conscientious and aware of the means of caring for the instrument in its present distortions having to do with the wrists and hands. As always, love is the greatest protection.
I am Ra. I leave you, my friends, in the glorious love and joyful light of the Infinite Creator. Go forth, then, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
65.23 Questioner: Is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. We feel that the instrument is well supported, and that all is well. We caution each regarding this instrument’s distortions towards pain, for it dislikes sharing these expressions, but as support group, this instrument subconsciously accepts each entity’s aid. All is in alignment. You are conscientious. We thank you for this.
I am Ra. I leave you, my friends, rejoicing in the love and the light of the One Infinite Creator. Go forth, therefore, glorying in the power and in the peace of the One Infinite Creator. Adonai.
66.35 Questioner: Then I will ask if there is anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. Continue as always in love. All is well. You are conscientious.
I am Ra. I leave you in the love and in the light of the One Infinite Creator. Go forth, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
67.31 Questioner: Only if there is anything that we can do to make the instrument more comfortable or to improve the contact?
Ra: I am Ra. Continue, my friends, in the strength of harmony, love, and light. All is well. The alignments are appreciated for their careful placement.
I am Ra. I leave you now, my friends, in the glory of the love and the light of the Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
68.19 Questioner: Only is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. You are conscientious. We realise your necessity for these queries. All is well, my friends.
We thank you and leave you in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
69.22 Questioner: There are many techniques and ways of practising so-called white magical arts. Are rituals designed by a particular group for their own particular use just as good, or possibly better, than those that have been practised by groups such as the Order of the Golden Dawn and other magical groups?
Ra: I am Ra. Although we are unable to speak with precision on this query, we may note some gratification that the questioner has penetrated some of the gist of a formidable system of service and discipline.
I am Ra. May we thank you again, my friends, for your conscientiousness. All is well. We leave you rejoicing in the power and the peace of the One Infinite Creator. Go forth with joy. Adonai.
70.24 Questioner: I will, at the next session, then attempt to turn more toward the heart. I was attempting in this session to get at a point that I thought was central to the evolution of spirit, but I seem to have gone awry. I’m sorry for that. It is sometimes very, very difficult for me to question wisely in these areas.
I will just ask if there is anything that we can do to benefit the contact or make the instrument more comfortable?
Ra: I am Ra. You are most conscientious, and the alignments are especially good. We thank you, my friends, and have been glad to speak with you. We are attempting to be of the greatest aid to you by taking care not to deplete this instrument. Thus, although a reserve remains we will attempt from this working onward to keep this reserve, for this instrument has arranged its subconscious to accept this configuration.
I am Ra. You are all doing well, my friends. We leave you in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing and glorying in the power and in the peace of the One Infinite Creator. Adonai.
71.23 Questioner: Is there anything that we can do to improve the contact or make the instrument more comfortable?
Ra: I am Ra. You are conscientious. Remain most fastidious about the alignments of the appurtenances. We thank you.
I am Ra. I leave you in the love and in the glorious light of the Infinite Creator. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
72.18 Questioner: I would just ask if there is anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. This instrument has some increased distortion in the region of the neck. Some attention here might provide greater comfort. All is well, my friends. The forbearance and patience observed by Ra are commendable. Continue in this fastidiousness of purpose and care for the appropriate configurations for contact, and our continuance of contact will continue to be possible. This is acceptable to us.
I am Ra. I leave you, my friends, glorying in the love and the light of the One Infinite Creator. Go forth, then, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
73.23 Questioner: Only if there is anything we can do to improve the comfort of the instrument or the contact, and secondly, is there anything that you wish not published in today’s session?
Ra: I am Ra. We call your attention to two items. Firstly, it is well that the candle which spirals 10° each working be never allowed to gutter, as this would cause imbalance in the alignment of the appurtenances in their protective role for this instrument. Secondly, we might suggest attention to the neck area so that the cushion upon which it is supported be more comfortable. This difficulty has abbreviated many workings.
We thank you, my friends, for your conscientiousness and your fastidiousness with regard to these appurtenances which, as our workings proceed, seems to be increasing. Secondly, your decisions are completely your own as to that material which you may wish published from this working.
I am Ra. I leave you glorying in the love and in the light of the One Infinite Creator. Go forth, then, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
74.20 Questioner: Is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. All is well. The instrument continues in some pain, as you call this distortion. The neck area remains most distorted although the changes have been, to a small degree, helpful. The alignments are good.
We would leave you now, my friends, in the love and in the light of the One Infinite Creator. Go forth, then, glorying and rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
75.41 Questioner: Is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. You are conscientious. The alignments are well.
I am Ra. I leave you, my friends, in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and peace of the One Infinite Creator. Adonai.
76.22 Questioner: I had one that is totally, possibly, of no value. You don’t have to expand on it, but there is a crystal skull in the possession of a woman near Toronto that may be of some value in investigating these communications with Ra since I think, possibly, this had some origin from Ra. Can you tell me anything about that?
And then, finally, is there anything that we could do to improve the contact or to make the instrument more comfortable?
Ra: I am Ra. Although your query is one which uncovers interesting material we cannot answer due to the potential an answer may have for affecting your actions.
The appurtenances are carefully placed and requisite care taken. We are appreciative. All is well.
I am Ra. I leave you, my friends, in the love and the light of the One Infinite Creator. Go forth, therefore, glorying and rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
77.25 Questioner: Is there anything that we can do after this contact to increase the instrument’s comfort as related to the psychic attack, or is there anything we can do to make the instrument more comfortable or improve the contact in this present situation?
Ra: I am Ra. The faculties of healing which each has commenced energising may be used. The entity may be encouraged to remain motionless for a period. As it will not appreciate this, we suggest the proper discussion.
The physical appurtenance called the censer was just a degree off, this having no deeper meaning. We do ask, for reasons having to do with the physical comfort of the instrument, that you continue in your careful efforts at alignment. You are conscientious. All is well.
We leave you, my friends, in the glorious love and light of the One Creator. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. I am Ra. Adonai.
78.38 Questioner: I would like to ask the reason for this session having been longer than most previous sessions, and also if there is anything we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. This instrument was given far more than the, shall we say, usual amount of transferred energy. There is a limit to the amount of energy of this type which may with safety be used when the instrument is itself without physical reserves. This is inevitably due to the various distortions such as we mentioned previously in this working having to do with growing dorsal discomfort.
The alignments are fastidious. We appreciate your conscientiousness. In order to enhance the comfort of the instrument it might be suggested that careful manipulation of the dorsal area be accomplished before a working.
It is also suggested that, due to the attempt at psychic attack, this instrument will require warmth along the right side of the physical complex. There has been some infringement, but it should not be long-lasting. It is, however, well to swaddle this instrument sufficiently to ward off any manifestation of this cold in physical form.
I am Ra. I leave you, my friends, in the love and in the light of the One Infinite Creator. Go forth, therefore, merrily rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
Ra: I am Ra. You are conscientious, my friends. We leave you in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Glorious Infinite Creator. Adonai.
80.23 Questioner: Is there anything that we can do to improve the contact or to make the instrument more comfortable?
Ra: I am Ra. The alignments are most conscientious. We are appreciative. The entity which serves as instrument is somewhat distorted towards that condition you call stiffness of the dorsal regions. Manipulation would be helpful.
I am Ra. I leave you, my friends, glorying in the light and the love of the One Infinite Creator. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
81.34 Questioner: Only if there is anything we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. It is difficult to determine the energy levels of the instrument and support group. Of this we are aware. It is, however, recommended that every attempt be made to enter each working with the most desirable configurations of energy possible.
All is well, my friends. You are conscientious, and the alignments are well.
I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and in the peace of the Infinite Creator. Adonai.
82.30 Questioner: Is there anything that we can do to improve the contact or make the instrument more comfortable?
Ra: I am Ra. All parameters are being met. Remain united in love and thanksgiving. We thank you for your conscientiousness as regards the appurtenances.
I am Ra. I leave you in the love and in the light of the One Infinite Glorious Creator. Go forth, therefore, rejoicing merrily in the power and the peace of the One Creator. Adonai.
83.28 Questioner: I noticed you started this session with “I communicate now.” You usually use “We communicate now.” Is there any significance or difference with respect to that? And then is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. We am Ra. You may see the grammatical difficulties of your linguistic structure in dealing with a social memory complex. There is no distinction between the first person singular and plural in your language when pertaining to Ra.
We offer the following, not to infringe upon your free will, but because this instrument has specifically requested information as to its maintenance, and the support group does so at this querying. We may suggest that the instrument has two areas of potential distortion, both of which may be aided in the bodily sense by the ingestion of those things which seem to the instrument to be desirable.
We do not suggest any hard and fast rulings of diet, although we may suggest the virtue of the liquids. The instrument has an increasing ability to sense that which will aid its bodily complex. It is being aided by affirmations and also by the light which is the food of the density of resting.
We may ask the support group to monitor the instrument, as always, so that in the case of the desire for the more complex proteins that which is the least distorted might be offered to the bodily complex which is, indeed, at this time potentially capable of greatly increased distortion.
I am Ra. We thank you, my friends, for your continued conscientiousness in the fulfilling of your manifestation of desire to serve others. You are conscientious. The appurtenances are quite well aligned.
I am Ra. I leave you, my friends, in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing merrily in the power and in the peace of the One Infinite Creator. Adonai.
84.23 Questioner: Is there anything we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. We would ask that each of the support group be especially vigilant in the, what you would call, immediate future due to this instrument’s unbidden but serious potential for increased distortion towards illness/health.
You are most conscientious. We thank you, my friends, and leave you in the glorious light and love of the One Infinite Creator. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
85.20 Questioner: Well, I will just ask in closing: is an individualised portion or entity of Ra inhabiting the instrument’s body for the purpose of communication? And then is there anything that we can do to improve the contact or make the instrument more comfortable?
Ra: I am Ra. We of Ra communicate through narrow-band channel through the violet-ray energy centre. We are not, as you would say, physically indwelling in this instrument; rather, the mind/body/spirit complex of this instrument rests with us.
You are diligent and conscientious. The alignments are excellent. We leave you rejoicing in the power and in the peace of the One Infinite Creator. Go forth, then, my friends, rejoicing in the power and in the peace of the infinite love and the ineffable light of the One Creator. I am Ra. Adonai.
86.23 Questioner: Is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. We are pleased that this instrument was more conscientious in preparing itself for contact by means of the careful mental vibrations which you call prayer. This enabled the channel to be free from the distortions which the contact fell prey to during the last working.
We would suggest to the support group some continued care in the regulating of the physical activities of the instrument. However, at this nexus it is well to encourage those activities which feed the vital energies, as this instrument lives in this space/time present almost completely due to the careful adherence to the preservation of those mental and spiritual energies which make up the vital energy complex of this entity. Each is conscientious. The alignments are good.
We would caution the support group as to the physical alignment of the appurtenance known as the censer. There has been some slight difficulty due to variation in the pattern of the effluvium of this incense.
I am Ra. I leave you rejoicing in the power and in the peace of the One Infinite Creator. Go forth, then, rejoicing in the love and in the light of the One Creator. Adonai.
87.29 Questioner: Is there anything we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. We shall find the suggested readjustment of the censer helpful. The alignments are good. You have been conscientious, my friends. We leave you now in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing merrily in the power and in the ineffable peace of the One Infinite Creator. Adonai.
88.25 Questioner: Is there anything that we can do to improve the contact or make the instrument more comfortable?
Ra: I am Ra. We again ward you concerning the distortions of the instrument’s hands. The fourth-density influence upon them could be inconvenient in that, if allowed to proceed without abatement, what you call your surgery shall be almost immediately necessary.
The alignments are good. You have been fastidious.
We leave you, my friends, in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing merrily in the power and in the glorious peace of the One Infinite Creator. Adonai.
89.45 Questioner: I’ll just make the statement that I perceive that a negative polarity harvest is possible with less negativity in the environment like Ra’s environment than in the environment such as we have at present and ask if that is correct, and then is there anything that we can do to improve the contact or the comfort of the instrument?
Ra: I am Ra. Firstly, the requirements of harvest are set. It is, however, easier to serve the self completely or nearly so if there is little resistance.
In the matter of the nurturing of the instrument we suggest further manipulation of the dorsal side and appendages of this instrument and the whirling of the waters, if possible. The alignments are conscientious. We ask for your vigilance in alignments and preparations. All is well, my friends.
I am Ra. I leave you in the love and in the light of the One Infinite Creator. Go forth, then, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
90.31 Questioner: Is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. It is well that the appliances for the arms were placed upon the instrument. We ask that continued vigilance be accorded these distortions which are, if anything, more distorted towards dis-ease than at our previous cautionary statement.
All is well, my friends. You are conscientious and faithful in your alignments. We appreciate your fastidiousness.
I am Ra. I leave you now, rejoicing merrily in the love and the light of the One Infinite Creator. Go forth, then, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
91.38 Questioner: Since we are at the end of the Matrix of the Mind I will just ask if there is anything we can do to improve the contact or make the instrument more comfortable?
Ra: I am Ra. Each is most conscientious. The instrument might be somewhat more comfortable with the addition of the swirling of the waters with spine erect. All other things which can be performed for the instrument’s benefit are most diligently done.
We commend the continual fidelity of the group to the ideals of harmony and thanksgiving. This shall be your great protection. All is well, my friends. The appurtenances and alignments are excellent.
I am Ra. I leave you glorying in the love and in the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
92.35 Questioner: Is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. The support group is functioning well.
The instrument, itself, might ponder some earlier words and consider their implications. We say this because the continued calling upon vital energies, if allowed to proceed to the end of the vital energy, will end this contact. There is not the need for continued calling upon these energies. The instrument must find the key to this riddle or face a growing loss of this particular service at this particular space/time nexus.
All is well. The alignments are exemplary.
I am Ra. I leave you, my friends, in the love and the light of the One Infinite Creator. Go forth, then, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
93.24 Questioner: I am assuming that you mean one full question, and I’ll make that question: I’d like to know the significance of the shape of the crux ansata, and if that’s too much of an answer I will just ask if there is anything we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. There are mathematical ratios within this image which may yield informative insights to one fond of riddles. We shall not untangle the riddle.
We may indicate that the crux ansata is a part of the concept complexes of the archetypical mind: the circle indicating the magic of the spirit; the cross indicating that nature of manifestation which may only be valued by the losing. Thus the crux ansata is intended to be seen as an image of the eternal in and through manifestation, and beyond manifestation, through the sacrifice and transformation of that which is manifest.
The support group functions well. The swirling waters experienced by the instrument since our previous working have substantially aided the instrument in its lessening of the distortion of pain.
All is well. The alignments are well guarded.
We leave you, my friends, in the love and the light of the Infinite One. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite and Glorious Creator. Adonai.
94.30 Questioner: I would just state that this card, being male, would indicate that as experience is gained the mind becomes the motivator or that which reaches or “does” more than the simple experiencer prior to the catalytic action. That is, there is a greater tendency for the mind to direct the mind/body/spirit complex.
And other than that I would just ask if there is anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. In the context of your penultimate query we would suggest that you ponder again the shape of the garment which the image wears. Such habiliment is not natural.* The shape is significant and is so along the lines of your query.
The support group cares well for the instrument. We would ask that care be taken as the instrument has been offered the gift of a distortion towards extreme cold by the fifth-density friend which greets you.
Although you may be less than pleased with the accoutrements, may we say that all was as carefully prepared as each was able. More than that none can do. Therefore, we thank each for the careful alignments. All is well.
We leave you, my friends, in the love and in the light of the One Glorious Infinite Creator. Go forth, then, rejoicing in the power and in the peace of the One. Adonai.
95.28 Questioner: Is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. We observe some small worsening of the distortions of the dorsal side. This is due to the nature of the beginning use of the swirling waters. The difficulties are physically accentuated as the swirling waters begin to aid the musculature surrounding the nexi of distortions. We encourage the swirling waters and note that complete immersion in them is somewhat more efficacious than the technique now used.
We ask that the support group attempt to aid the instrument in remembering to preserve the physical energies and not expend them upon movements associated with the packing, as you call this activity, and the movement between geographical locations upon your sphere.
The alignments are excellent. All is well.
We leave you glorying in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing in the mighty peace of the One Infinite Creator. Adonai.
96.22 Questioner: Is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. Continue in harmony, communication, praise, and thanksgiving.
We would note that this instrument’s distortions would be lessened were it to refrain from the speaking to some extent for a diurnal period, or perhaps two, if the difficulty remains. We would also recommend against the activity such as running which would cause rapid respiration.
This after-effect of the greeting is not necessarily long-lasting. However, as this instrument has some blood vessels in the forward regions of the skull—that is, the integument covering the skull—greatly swollen at this time, and since this instrument has the distortion known as the streptococcal infection, it is best to be full of care for a short period in order that the distortions do not catapult the entity into longer-term after-effects.
All is well. We find the alignments satisfactory.
I am Ra. I leave you in the love and light of the Infinite One. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
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