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69.18 Questioner: This instrument performs services on Sunday night channelling other members of the Confederation. We are reluctant to continue this because of the possibility of her slipping into trance and being offered the services of the negatively polarised adept. Are there any safeguards to create a situation where she cannot go into trance other than at a protected working such as this one?
Ra: I am Ra. There are three. Firstly, the instrument must needs improve the disciplined subconscious taboo against requesting Ra. This would involve daily conscious and serious thought. The second safeguard is the refraining from the opening of the instrument to questions and answers for the present. The third is quite gross in its appearance but suffices to keep the instrument in its physical complex. The hand may be held.
94.18 Questioner: In Card Three the feet of the female entity are upon the unstable platform, signifying dual polarity by its colour. In Card Four, one foot pointed indicates that if the male entity stands on the toe it would be carefully balanced. The other foot is pointed to the left. Would Ra comment on my observation that if the entity stands on this foot it will be very, very carefully balanced?
Ra: I am Ra. This is an important perception, for it is a key to not only this concept complex but to others as well.
You may see the T-square which at times riven as is one foot from secure fundament by the nature of experience, yet still—by this same nature of experience—is carefully, precisely, and architecturally placed in the foundation of this concept complex, and, indeed, in the archetypical mind complex.*
Experience** has the nature of more effectively and poignantly expressing the architecture of experience, both the fragility of structure and the surety of structure.
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